A Movie

“motoko” collects private footage of anonymous deaths from harrowing events and disassembles them into chronophotography, then creates realtime-based algorithms. Based on this, “HASC” appropriates the wisdom of Dziga Vertov and Bruce Conner, who sought to (re-)define “cinema,” and models the functioning of realtime sounds and images by (re-) convert/anchor it into a fixed format of non-realtime. The work A MOVIE explores the apparatus of sounds, images, and illusions, attempting to revive the conditions necessary to be designated as a cinema in today’s timeline.